Though Marilyn Monroe and Bettie Page are often cited as the classic pin-up, there were many women of color who were also considered to be impactful. In the 1920s two of the most notable Black burlesque dancers were Josephine Baker and Lottie Graves. Despite the little history on Black burlesque dancers, Baker and Graves are a good starting point for evaluating women of color in pin-up. Dorothy Dandridge and Eartha Kitt also added to the pin-up style of their time, using their looks, fame, and personal success. African-American pin-up finally had a platform when the magazine, Jet, was created in 1951. Jet supported pin-up as they had a full page feature called, "Beauty of the Week", where African-American women posed in a swimsuits and such. This was intended to showcase the beauty these women possessed as they lived in a world where their skin color was under constant scrutiny. It was not until 1965 that Jennifer Jackson became the first African American to be published in Playboy as Playmate of the Month. And it was not until 1990 that Playboy's Playmate of the Year was an African-American woman, Renee Tenison. Historically, women of color in pin-up are still not as common as their white counterparts. However, the recent revival of pin-up style has propelled many women of color today to create and dabble with the classic pin-up look to create their own standards of beauty. In Jim Linderman's self-published book, Secret History of the Black Pin Up,[37] he describes the lives and experiences of African-American pin-up models.

_{Do you or did you used to work in an office environment? Then you're bound to own a pencil skirt. The classic pencil skirt is a key piece to bring to a pinup shoot as it's very usable and can be worn with shirts and cardigans or even just with your favorite bra. It is reminiscent of 1950s wiggle dresses that made the wearer walk with a little wiggle in their step.}
Beginning in the early nineteenth century, pin-up modeling had "theatrical origins",[3] burlesque performers and actresses sometimes used photographic advertisement as business cards to advertise shows.[4] These adverts and business cards could often be found backstage in almost every theater's green room, pinned-up or stuck into "frames of the looking-glasses, in the joints of the gas-burners, and sometimes lying on-top of the sacred cast-case itself." Understanding the power of photographic advertisements to promote their shows, burlesque women self-constructed their identity to make themselves visible. Being recognized not only within the theater itself but also outside challenged the conventions of women's place and women's potential in the public sphere.[5] "To understand both the complicated identity and the subversive nature of the 19th-century actress, one must also understand that the era's views on women's potential were inextricably tied to their sexuality, which in turn was tied to their level of visibility in the public sphere: regardless of race, class or background, it was generally assumed that the more public the woman, the more 'public,' or available, her sexuality, according to historian Maria Elena Buszek. Being sexually fantasized, famous actresses in early-20th-century film were both drawn and photographed and put on posters to be sold for personal entertainment.[6] Among the celebrities who were considered sex symbols, one of the most popular early pin-up girls was Betty Grable, whose poster was ubiquitous in the lockers of G.I.s during World War II.
Capris also came into popularity during the 1950s as everyone wanted to look like Audrey Hepburn in her latest hits. This style of pant was actually introduced by Sonja de Lennart in 1948. Many women wanted to pretend they had Italian roots by wearing black capris with a red and white knit shirt. Others chose to wear blue capris with the same shirt to pretend that they were European. Alternatively, many paired capris with a white ruffled shirt creating a Spanish look, especially when wearing a bolero jacket. Recreate your own Audrey Hepburn look by getting these capris from ModCloth (@modcloth).

Next, brush hair smooth in the back area. Backcomb the interior for extra volume and keep the surface smooth. Create soft curls with a medium barrel iron. Curl hair from the mid-length through to ends in a horizontal fashion. Set curls using pin curl clips until all hair is curled. Allow hair to cool, then release curls and allow to fall softly. Backcomb gently for a soft, voluminous finish.

Pinup Girl Clothing: Leaning a little more mainstream and rockabilly, Pinup Girl has an enormous fanbase that spans a variety of subcultures and demographics, from hardcore pinup enthusiasts to true vintage hounds to Disney fanatics. The shop always features some kind of sale and carries collections inspired by everyone from Audrey Hepburn to Dita Von Teese that go up to a size 4X.
There’s never been a better time to bring back those vintage styles from the ‘40s and ‘50s. The pin-up style in particular was all about femininity while also giving luscious ladies an empowered look. Once you slip into one of our stylish dresses or a sassy little ‘50s wiggle skirt, you’ll know exactly what we mean. Showing off your curves is easy when you have the right pin-up girl style, and the impeccable structure of these pieces make them a flattering fit for any body type. You’ll feel fierce, fashionable and feminine all at once when you rock our ‘50s rockabilly dresses and skirts or pin-up style shorts and tops.

Many brides chose wedding dresses made with a sweetheart neckline after watching Elizabeth Taylor in Father of the Bride. Ballerina-length dresses were a popular choice for both the bride and her party. Brides who chose to go with a longer dress usually loved lacy tiers and flouncy frills. Grace Kelly’s marriage in 1956 set the tone for many brides throughout the last half of the decade. Kate Middleton went retro when she wore an almost exact copy of Grace Kelly’s wedding gown. Look spectacular on your wedding day by wearing this dress from David’s Bridal (@davidsbridal).

I think this is my favourite Chic Star pencil dress so far!  It's made from poly/elastane stretch fabric in a gorgeous midnight blue. The fabric is lovely and soft and smooth against the skin. My favourite feature apart from the lace is the ruched bust. Definitely a great dress to wear to work or for an evening out. My measurements are bust 90cms (12DD bra), waist 69cms and hips 93cms and the size 8 is a perfect fit. If you have any questions, please get in touch!