After that, I swept the rest of my hair into a bun at the crown of my head. The ponytail comes curled and has little combs in it that can attach to the bun. You pin the combs in and tighten the drawstring on the ponytail. I then wrapped it around to give the illusion of an elastic holding the ponytail together. I pinned the ponytail in place all around the bun, then wrapped a vintage scarf around it and made a bow. I sprayed all over the hairstyle and around my hairline to sweep up any baby hairs, and voila!
_{There is truly no right or wrong look for anyone, let’s just get that out there first. If you like it, wear it. Plain and simple. That being said, clothing styles are tailored to certain body shapes so there are some that are naturally a better fit than others. We have taken a look at the various cuts and styles of the vintage eras and come up with a fool-proof way to reach your perfect pin-up persona.}

Modern art – art for the masses, that is – is supposed to be fun and flirty, which is why this collection of American pin-up art is so incredible to scan through.  Regardless of how you feel about the whole idea of Russia and its current state of affairs, you have to admit that this is a new blend of talent that shows off all sorts of things at once.  If you know anything about Russia and their rules, you understand that their Soviet social posters are important in terms of their rigid rules and propriety.  All of that is ridiculed in a tasteful way by spicing them up with pin-up art that really makes you take a second glance at these posters.

^{Though Marilyn Monroe and Bettie Page are often cited as the classic pin-up, there were many women of color who were also considered to be impactful. In the 1920s two of the most notable Black burlesque dancers were Josephine Baker and Lottie Graves. Despite the little history on Black burlesque dancers, Baker and Graves are a good starting point for evaluating women of color in pin-up. Dorothy Dandridge and Eartha Kitt also added to the pin-up style of their time, using their looks, fame, and personal success. African-American pin-up finally had a platform when the magazine, Jet, was created in 1951. Jet supported pin-up as they had a full page feature called, "Beauty of the Week", where African-American women posed in a swimsuits and such. This was intended to showcase the beauty these women possessed as they lived in a world where their skin color was under constant scrutiny. It was not until 1965 that Jennifer Jackson became the first African American to be published in Playboy as Playmate of the Month. And it was not until 1990 that Playboy's Playmate of the Year was an African-American woman, Renee Tenison. Historically, women of color in pin-up are still not as common as their white counterparts. However, the recent revival of pin-up style has propelled many women of color today to create and dabble with the classic pin-up look to create their own standards of beauty. In Jim Linderman's self-published book, Secret History of the Black Pin Up,[37] he describes the lives and experiences of African-American pin-up models.}
The classic style of the pin-up originates back from the 1940s. Due to the shortages of materials during WWII, this period of makeup is considered the "natural beauty" look.[20] The US was immersed in war-time economy, which put distribution restrictions on consumer goods.[21] General rationing was supported; women applied mild amounts of products. Despite the rations, "Women were encouraged to keep buying lipstick and to send letters to the front covered in 'lipstick kisses' to boost the morale of the soldiers."