Voodoo Vixen: While the brand has the same themes as many of these other shops (swing dresses for everyone!), Voodoo Vixen has two unique angles. It does collaborations with popular retro bloggers — like this winter’s collection with Chicago Chic — and it creates its own vintage-inspired prints in house (this nautical dress is everything), which means you can’t get some of these looks anywhere else.

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I always turn to false eyelashes for our performances and I also wore them during our photo shoot. Wearing false eyelashes always gives me a huge surge of confidence and I feel almost as if they are my armor; they thicken my lashes and open my eyes to give a truly glamorous vibe reminiscent of legendary Hollywood starlets. Just pair with vintage inspired makeup and you'll soon be channelling Marilyn Monroe, Audrey Hepburn, or your favorite pinup.
^{Fashion and style trends are a recurring process. The retro pin-up girl look is making its comeback from the 40's to today! Having been popularized by Burlesque models in the early 40’ to 80’s. Those pin-up models pictures were mass produced and attracted a wider audience with the need to spread its appeal as pop culture. These informal posters were found anywhere from walls, poles, posts, and even those cigarette packs from Lucky Strike.}
A great every day dress with an adorable space themed print. This new silhouette from Hell Bunny features a full circle skirt with pockets and well designed bodice featuring cute cut-outs at the neckline and on the sleeves. My measurements are: bust 90cms (12DD bra) and waist 69cms and the XS size fit me very well. I did originally try the small but it was a bit roomy.  Love the side seam pockets! 

Beginning in the early nineteenth century, pin-up modeling had "theatrical origins",[3] burlesque performers and actresses sometimes used photographic advertisement as business cards to advertise shows.[4] These adverts and business cards could often be found backstage in almost every theater's green room, pinned-up or stuck into "frames of the looking-glasses, in the joints of the gas-burners, and sometimes lying on-top of the sacred cast-case itself." Understanding the power of photographic advertisements to promote their shows, burlesque women self-constructed their identity to make themselves visible. Being recognized not only within the theater itself but also outside challenged the conventions of women's place and women's potential in the public sphere.[5] "To understand both the complicated identity and the subversive nature of the 19th-century actress, one must also understand that the era's views on women's potential were inextricably tied to their sexuality, which in turn was tied to their level of visibility in the public sphere: regardless of race, class or background, it was generally assumed that the more public the woman, the more 'public,' or available, her sexuality, according to historian Maria Elena Buszek. Being sexually fantasized, famous actresses in early-20th-century film were both drawn and photographed and put on posters to be sold for personal entertainment.[6] Among the celebrities who were considered sex symbols, one of the most popular early pin-up girls was Betty Grable, whose poster was ubiquitous in the lockers of G.I.s during World War II.

_{The classic style of the pin-up originates back from the 1940s. Due to the shortages of materials during WWII, this period of makeup is considered the "natural beauty" look.[20] The US was immersed in war-time economy, which put distribution restrictions on consumer goods.[21] General rationing was supported; women applied mild amounts of products. Despite the rations, "Women were encouraged to keep buying lipstick and to send letters to the front covered in 'lipstick kisses' to boost the morale of the soldiers."}