Contrast. This is one of the main demands of the pin up style, as only making one of those hairdos cannot change your appearance significantly – if you want to get this effect, of course. Bright red or black, white or brown – it doesn’t matter which color you will pick, the only thing you should remember is the intensity of the color. Preserve it carefully after dying or just take a good care of your natural hair.
Collectif Clothing: Collectif focuses on 1950s glamour with four distinct brands. Playful tropical prints, gingham dresses, and kitschy circle skirts make up Collectif Mainline. If you want a more subdued look but still prefer colors and patterns, like this fan-favorite pencil dress, you’d enjoy the Vintage line. Lulu Hun is the shoe collection, comprised of very rockabilly flats, sandals, and heels. And Bright and Beautiful is the latest line, with ’70s-inspired caftans, mini dresses, and accessories. All styles are designed in-house.
Other pin-ups were artwork depicting idealized versions of what some thought a particularly beautiful or attractive woman should look like. An early example of the latter type was the Gibson Girl, a representation of the New Woman drawn by Charles Dana Gibson. "Because the New Woman was symbolic of her new ideas about her sex, it was inevitable that she would also come to symbolize new ideas about sexuality."[9] Unlike the photographed actresses and dancers generations earlier, fantasy gave artists the freedom to draw women in many different ways.[10] The 1932 Esquire "men's" magazine featured many drawings and "girlie" cartoons but was most famous for its Vargas girls. Prior to World War II they were praised for their beauty and less focus was on their sexuality. However, during the war, the drawings transformed into women playing dress-up in military drag and drawn in seductive manners, like that of a child playing with a doll.[11] The Vargas girls became so popular that from 1942–46, owing to a high volume of military demand, "9 million copies of the magazine-without adverts and free of charge was sent to American troops stationed overseas and in domestic bases."[12] The Vargas Girls were adapted as nose art on many World War II bomber and fighter aircraft; Generally, they were considered inspiring, and not seen negatively, or as prostitutes, but mostly as inspiring female patriots that were helpful for good luck.[13]
While women still wore their big Victorian pieces in the first part of the 1950s, soon jewelry trends became smaller and more refined. Every girl wore a brooch on her shoulder with many wearing more than one at the same time. In the first part of the 1950s, gold- colored jewelry was found many places especially in big bold bracelets. In the later half of the decade, however, copper and plastic started to reign. Modernization allowed pieces to be made in mass quantities bringing down prices considerably. Many women brought jewelry in sets. Add these fashion pieces from Sweet and Spark to your jewelry box.
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