• A fluffy skirt: This is one of the primary details for visually widening the hips, which is quite important for this style (Learn: How to Wear a Fluffy Skirt). Still, if you already have wide hips then you’d better opt for pencil skirts with high-waisted accents and different tight-fitting shapes, which will accentuate the pluses of your body nicely.
Lastly, I smoothed the front with Suavecita Pomade and finished with R+Co’s Outerspace Flexible Hairspray. In short, curl the hair with a small curling iron ans set it using a heat protectant. Tease the front into two sections and mold one side into a victory roll facing forward, and the other side into a barrel role going back. Use a lightweight pomade or wax to smooth and a flexible hairspray to set.
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You’ll want to start with one day post-washed hair. If you have cleaned and conditioned hair, it’ll be too ‘fluffy’ and light unless you use loads of hairspray and back-combing (which isn’t great for your hair by the way). Grab your sections from the front half of your head and pin the rest out the way or hold it back with a ponytail. Split in half and you have the two chunks you’ll be transforming.
Fine Frame Edgier Looks. For the edgier side of the fine frame looks, try the opposite of the flowing fabrics and go for a straight tailored look. Pixie length bottoms with a tailored leather jacket over a chiffon blouse make for an excellent look. Pair it with some bold makeup and finger-waved hair and a pair of cheetah print platform pumps and you’ve got a fabulous combination.
Fashions were quickly changing in the 1950s. Hemlines were coming up, and necklines were dropping. More women than ever before were turning in their dresses for pants. Many young men adorned their bedroom walls with 1950 pinup fashion posters of Hollywood stars like Elizabeth Taylor, Grace Kelly, Natalie Wood and Marilyn Monroe. Women sought to look like them by copying the 1950s pinup fashion. Many clothing items created in the 1950s are great to wear to work, school and parties today.
Other pin-ups were artwork depicting idealized versions of what some thought a particularly beautiful or attractive woman should look like. An early example of the latter type was the Gibson Girl, a representation of the New Woman drawn by Charles Dana Gibson. "Because the New Woman was symbolic of her new ideas about her sex, it was inevitable that she would also come to symbolize new ideas about sexuality."[9] Unlike the photographed actresses and dancers generations earlier, fantasy gave artists the freedom to draw women in many different ways.[10] The 1932 Esquire "men's" magazine featured many drawings and "girlie" cartoons but was most famous for its Vargas girls. Prior to World War II they were praised for their beauty and less focus was on their sexuality. However, during the war, the drawings transformed into women playing dress-up in military drag and drawn in seductive manners, like that of a child playing with a doll.[11] The Vargas girls became so popular that from 1942–46, owing to a high volume of military demand, "9 million copies of the magazine-without adverts and free of charge was sent to American troops stationed overseas and in domestic bases."[12] The Vargas Girls were adapted as nose art on many World War II bomber and fighter aircraft; Generally, they were considered inspiring, and not seen negatively, or as prostitutes, but mostly as inspiring female patriots that were helpful for good luck.[13]
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