Many brides chose wedding dresses made with a sweetheart neckline after watching Elizabeth Taylor in Father of the Bride. Ballerina-length dresses were a popular choice for both the bride and her party. Brides who chose to go with a longer dress usually loved lacy tiers and flouncy frills. Grace Kelly’s marriage in 1956 set the tone for many brides throughout the last half of the decade. Kate Middleton went retro when she wore an almost exact copy of Grace Kelly’s wedding gown. Look spectacular on your wedding day by wearing this dress from David’s Bridal (@davidsbridal).

Though Marilyn Monroe and Bettie Page are often cited as the classic pin-up, there were many women of color who were also considered to be impactful. In the 1920s two of the most notable Black burlesque dancers were Josephine Baker and Lottie Graves. Despite the little history on Black burlesque dancers, Baker and Graves are a good starting point for evaluating women of color in pin-up. Dorothy Dandridge and Eartha Kitt also added to the pin-up style of their time, using their looks, fame, and personal success. African-American pin-up finally had a platform when the magazine, Jet, was created in 1951. Jet supported pin-up as they had a full page feature called, "Beauty of the Week", where African-American women posed in a swimsuits and such. This was intended to showcase the beauty these women possessed as they lived in a world where their skin color was under constant scrutiny. It was not until 1965 that Jennifer Jackson became the first African American to be published in Playboy as Playmate of the Month. And it was not until 1990 that Playboy's Playmate of the Year was an African-American woman, Renee Tenison. Historically, women of color in pin-up are still not as common as their white counterparts. However, the recent revival of pin-up style has propelled many women of color today to create and dabble with the classic pin-up look to create their own standards of beauty. In Jim Linderman's self-published book, Secret History of the Black Pin Up,[37] he describes the lives and experiences of African-American pin-up models.

There is truly no right or wrong look for anyone, let’s just get that out there first. If you like it, wear it. Plain and simple. That being said, clothing styles are tailored to certain body shapes so there are some that are naturally a better fit than others. We have taken a look at the various cuts and styles of the vintage eras and come up with a fool-proof way to reach your perfect pin-up persona.
_{Using spray and a bristle brush, comb the underneath of the hair upwards in sections and pin it tightly up into the base of the top section. Grab small sections on top of the head, teasing the base and creating barrel curls by wrapping the hair around your fingers. Secure each curl with bobby pins. Refine the style by dressing each curl out so they work in harmony with each other. It is important to make sure the style is symmetrical unless you purposely want a feature piece framing one side of the face. Once you are happy, fix the style with strong hold hairspray.}

That’s where reproduction boutiques come in. Many shops have popped up within the last decade to reproduce items from the post-war time period, some even using original patterns and fabrics. If you’re looking to try out a pillbox hat like Midge Maisel, interested in a classic red lipstick, or thinking of going full pinup, there are lots of options at myriad price points, not to mention styles and sizes for many bodies.