While women still wore their big Victorian pieces in the first part of the 1950s, soon jewelry trends became smaller and more refined. Every girl wore a brooch on her shoulder with many wearing more than one at the same time. In the first part of the 1950s, gold- colored jewelry was found many places especially in big bold bracelets. In the later half of the decade, however, copper and plastic started to reign. Modernization allowed pieces to be made in mass quantities bringing down prices considerably. Many women brought jewelry in sets. Add these fashion pieces from Sweet and Spark to your jewelry box.
Very similar to the swing coat, many women wore a clutch coat. These coats were highly impractical because they were open all the way down the front without any buttons or zippers. Women would hold them shut with one hand clutched across their front. Many were made to be worn with the sleeves pushed up. Stay warm in the cooler weather with this great choice from the Shopping Channel.
I followed the size chart, and ordered based on my measurements, and I'm a curvy girl. It fit perfectly. I'm 5'1", so it hits me right below the knees. I didn't have any of the fit issues that I've seen in other reviews. You don't really need the petticoat, but it hangs sort of sad if you don't wear one. I put a red ribbon belt on it instead of the black one that came with it. I thought it was cuter.

If there’s one thing the ladies from previous decades knew how to do perfectly, it was creating a flawless silhouette. But we aren’t here to tell you to squeeze into a suffocating corset. After all, we’re talking about retro swimwear, not swimwear antiques! So, when you’re shopping for some retro swimsuits this summer season, keep an eye peeled for high waist swimsuit bottoms that are designed with a vintage appeal.

Beginning in the early nineteenth century, pin-up modeling had "theatrical origins",[3] burlesque performers and actresses sometimes used photographic advertisement as business cards to advertise shows.[4] These adverts and business cards could often be found backstage in almost every theater's green room, pinned-up or stuck into "frames of the looking-glasses, in the joints of the gas-burners, and sometimes lying on-top of the sacred cast-case itself." Understanding the power of photographic advertisements to promote their shows, burlesque women self-constructed their identity to make themselves visible. Being recognized not only within the theater itself but also outside challenged the conventions of women's place and women's potential in the public sphere.[5] "To understand both the complicated identity and the subversive nature of the 19th-century actress, one must also understand that the era's views on women's potential were inextricably tied to their sexuality, which in turn was tied to their level of visibility in the public sphere: regardless of race, class or background, it was generally assumed that the more public the woman, the more 'public,' or available, her sexuality, according to historian Maria Elena Buszek. Being sexually fantasized, famous actresses in early-20th-century film were both drawn and photographed and put on posters to be sold for personal entertainment.[6] Among the celebrities who were considered sex symbols, one of the most popular early pin-up girls was Betty Grable, whose poster was ubiquitous in the lockers of G.I.s during World War II.

Women usually chose a pair of cigarette pants with side or back zippers. These pants were cut full through the hips tapering to slim- fitting legs. Most cigarette pants ended just above the ankle allowing women to show off their stylish footwear. They had a high waist usually accentuated with a 3 inch waistband. Some women broke up the wide waistband with a thin leather belt. Early on, these pants were mostly black, but by the end of the decade women were expressing their own unique style by wearing stripes, leopard prints, checks and polka dots. Consider adding a pair to your wardrobe by getting these from Unique Vintage (@uniquevintage)
Another very popular style was the shirtwaist dress. Originally, introduced by Christian Dior in 1947, this style of dress was particularly popular with teenagers. It is set apart by its sloped shoulders which were a drastic change from the boxy shoulders just a few years before. This dress also has a raised bust line. The real change, however, came with a very narrow waist starting with a padded hipline and flowing away to a skirt with lots of fabric that was often pleated ending just below mid-calf. Wear this casual dress on your next shopping trip by getting this one from EricDress (@ericdress.com).
Women usually chose a pair of cigarette pants with side or back zippers. These pants were cut full through the hips tapering to slim- fitting legs. Most cigarette pants ended just above the ankle allowing women to show off their stylish footwear. They had a high waist usually accentuated with a 3 inch waistband. Some women broke up the wide waistband with a thin leather belt. Early on, these pants were mostly black, but by the end of the decade women were expressing their own unique style by wearing stripes, leopard prints, checks and polka dots. Consider adding a pair to your wardrobe by getting these from Unique Vintage (@uniquevintage)
That’s where reproduction boutiques come in. Many shops have popped up within the last decade to reproduce items from the post-war time period, some even using original patterns and fabrics. If you’re looking to try out a pillbox hat like Midge Maisel, interested in a classic red lipstick, or thinking of going full pinup, there are lots of options at myriad price points, not to mention styles and sizes for many bodies.
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